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| KODAK DAYLIGHT MOTION PICTURE FILM STOCKS |
| KODAK 250 Daylight VISION Colour Negative Film 35 mm (5246) & 16mm (7246) |
| Perhaps the most popular Daylight Colour Negative Product on the market. Features speed and latitude that will allow you to capture spectacular images both exterior and interior, and high and low level lighting. |
| Rated: 250 (Daylight) 64 w/80A Filter (Tungsten) |
| KODAK 50 Daylight EXR Colour Negative Film 35 mm (5245) & 16mm (7245) |
| The finest grain and resolution can be found in this film stock while maintaining a wide exposure latitude for various lighting conditions. Nothing can beat this stock when exposing for brilliant sunshine. Often used for post as well. |
| Rated: 50 (Daylight) 12 w/80A Filter (Tungsten) |
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| KODAK TUNGSTEN MOTION PICTURE FILM STOCKS |
| KODAK 100 Tungsten EXR Colour Negative Film 35mm (5248) & 16mm (7248) |
| When fine grain and sharpness is required. Can be used under a variety of lighting conditions. |
| Rated: 100 (Tungsten) 64 w/85 Filter (Daylight) |
| KODAK 200 Tungsten Vision2 EXR Colour Negative Film 35 (5217) & 16mm (7217) |
| Unveiled in March 2004, this colour negative film now features VFX capabilities for digital compositing. Perhaps noted most for its ability to intercut seamlessly with Kodak’s other line of motion picture film products. Features fine grain and exceptional contrast range. |
| Rated: 200 (Tungsten) 125 w/85 Filter (Daylight) |
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| KODAK TUNGSTEN MOTION PICTURE FILM STOCKS cont... |
| KODAK 500 Tungsten Vision Colour Negative Film 35 mm (5279) & 16mm (7279) |
| High speed tungsten, low grain, exceptional contrast range, immense latitutde, a popular choice. Can be used in limited lighting conditions at night rendering beautiful images. |
| Rated: 500 (Tungsten) 320 w/85 Filter (Daylight) |
| KODAK 500 Tungsten Vision2 Colour Negative Film 35 mm (5218) & 16mm (7218) |
| Unveiled in late 2003, this colour negative film is clearly the genus of Kodak’s new Vision2 line up. Features unbelievable latitude and more importantly limited amounts of grain. |
| Rated: 500 (Tungsten) 320 w/85 Filter (Daylight) |
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| KODAK TUNGSTEN MOTION PICTURE FILM STOCKS cont... |
| KODAK 800 Tungsten Vision Colour Negative Film 35 mm (5289) & 16mm (7289) |
| The fastest tungsten colour negative film available in the marketplace. Shoot at night with available lighting, or capture fast action. |
| Rated: 800 (Tungsten) 500 w/82B Filter (Daylight) |
| KODAK SFX 200 Tungsten Colour Negative Film 35 mm (0214) |
| For photographing against a green or blue screen so that images can be separated more easily and cleanly from a background when it is scanned into digital format. This colour negative film can also be used as one would regular 200Tungsten film. |
| Rated: 200 (Tungsten) 125 w/85 Filter (Daylight) |
| KODAK 200 Tungsten Colour Negative Film 35 mm (5274) & 16 mm (7274) |
| Perhaps noted
most for its ability to intercut seamlessly with Kodak’s other line
of motion picture film products. Features fine grain and exceptional contrast range. |
| Rated: 200 (Tungsten) 125 w/85 Filter (Daylight) |
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| KODAK TUNGSTEN MOTION PICTURE FILM STOCKS cont... |
| KODAK 200 Tungsten EXR Colour Negative Film 35 mm (5293) & 16mm (7293) |
| Microfine grain, very high sharpness, and high resolving power. Availability is limited through Stock Options. Please call and reserve well in advance of shoot date. |
| Rated: 200 (Tungsten) 125 w/82B Filter (Daylight) |
| KODAK 320 Tungsten Vision Colour Negative Film 35 mm (5277) & 16mm (7277) |
| For a softer and more pastel look. Exceptional contrast range and fine grain however along with latitude allows this colour negative film to be used in a variety of conditions. |
| Rated: 320 (Tungsten) 200 w/85 Filter (Daylight) |
| KODAK 500 Tungsten Vision2 Expression Colour Film 35 mm (5229) & 16mm (7229) |
| Unveiled in March 2004, this colour negative film features exceptional shadow detail, and renders smoot flesh tones. A low contrast, low-colour film for a softer look. |
| Rated: 500 (Tungsten) 320 w/85 Filter (Daylight) |
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| FUJI DAYLGHT MOTION PICTURE FILM STOCKS |
| FUJI 64 Daylight Colour Negative Film 35 mm (8522) & 16mm (8622) |
| Primarily for bright sunlit conditions, features spectacular sharpness, saturation, and tonality, providing an exceptional fine-grain image.. |
| Rated: 64 (Daylight) 16 (Tungsten) w/ filter |
| FUJI 250 Daylight Colour Negative Film 35 mm (8562) & 16mm (8662) |
| Handles a wide variety of mixed daylight situations. This stock has extremely fine grain and rich tonality for its speed. Medium-speed, daylight-balanced, it offers wonderfully clear, pure images in day exteriors, and also day interiors when using daylight-balanced lighting equipment. |
| Rated: 250 (Daylight) 160 (Tungsten) w/ filter |
| FUJI 500 REALA Daylight Colour Negative Film 35 mm (8592) & 16mm (8692) |
| The only 500-speed daylight-balanced negative stock on the market. Allows for shooting in low level daylight. Great sharpness, saturation, and fine grain. |
| Rated: 500 (Daylight) 125 (Tungsten) w/ filter |
| FUJI TUNGSTEN MOTION PICTURE FILM STOCKS |
| FUJI 500T Colour Negative Film 35 mm (8572) & 16mm (8672) |
| Ultra-high speed tungsten-balanced stock, which exhibits remarkably fine grain. Captures detail in a wide range of latitudes, from deep shadow to strong highlight, as well as rendering extremely pleasing skin tones. |
| Rated: 500 (Tungsten) 320 (Daylight) w/ filter |
| FUJI 400T Colour Negative Film 35 mm (8582) & 16mm (8682) |
| Offers an extremely wide-latitude and low-contrast image. Captures detail in deep shadow and bright highlight areas. |
| Rated: 400 (Tungsten) 250 (Daylight) w/ filter |
| FUJI 250T Colour Negative Film 35 mm (8552) & 16mm (8652) |
| Offers the fine grain and brilliant tonality. Used indoors and outdoors, this stock renders skin tones and colors beautifully. 250T has impressive latitude allowing it to capture fine detail in both shadow and highlight areas. |
| Rated: 250 (Tungsten) 160 (Daylight) w/ filter |
| FUJI 125T Colour Negative Film 35 mm (8552) & 16mm (8652) |
| This all-purpose, tungsten-balanced stock has historically been very popular for controlled studio interiors and, with an 85 filter, outdoor daylight scenes. Offers a very sharp, fine-grained image without excessive contrast. |
| Rated: 125 (Tungsten) 80 (Daylight) w/ filter |
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| COLOUR NEGATIVE | ||||
| Manufacturer | type | 16m | 35mm | Speed |
| Kodak | Vision2 | 7218 | 5218 | 500T/320D |
| Kodak | Vision | 7246 | 5246 | 250T/64D |
| Kodak | EXR | 7245 | 5245 | 12T/50D |
| Kodak | EXR | 7248 | 5248 | 100T/64D |
| Kodak | Vision2 | 7212 | 5212 | 100T/64D |
| Kodak | Vision | 7274 | 5274 | 200T/125D |
| Kodak | Vision2 | 7217 | 5217 | 200T/125D |
| Kodak | EXR | 7293 | 5293 | 200T/125D |
| Kodak | Vision | 7277 | 5277 | 320T/200D |
| Kodak | Vision | 7279 | 5279 | 500T/320D |
| Kodak | Expression | 7229 | 5229 | 500T/320D |
| Kodak | Vision | 7289 | 5289 | 800T/500D |
| Kodak | SFX | 0214 | 200T | |
| Fuji | Reala | 8692 | 8592 | 500D/125T |
| Fuji | F-125T | 8632 | 8532 | 125T/80D |
| Fuji | F-250T | 8652 | 8552 | 250T/160D |
| Fuji | F-500T | 8672 | 8572 | 500T/320D |
| Fuji | F-400T | 8682 | 8582 | 400T/250D |
| Fuji | F-64D | 8622 | 8522 | 64D/16T |
| Fuji | F-250D | 8662 | 8562 | 250T/64T |
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| COLOUR REVERSAL | ||||
| Manufacturer | Type | 16mm | 35mm | Speed |
| Kodak | Ektachrome | n/a | 5285 | 100D/25T |
| Kodak | Ektachrome | 7239 | n/a | 400T/160D |
| Kodak | Ektachrome | 7240 | n/a | 125T/80D |
| Kodak | Ektachrome | 7250 | n/a | 40T/250D |
| Kodak | Ektachrome | 7251 | n/a | 100T/400D |
| Fuji | Velvia | n/a | 8540 | 500D |
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| BLACK & WHITE NEGATIVE | ||||
| Manufacturer | Type | 16mm | 35mm | Speed |
| Kodak | Double-X | 7222 | 5222 | 200T/250D |
| Kodak | Eastman 4-X | 7224 | n/a | 400T/500D |
| Kodak | Eastman PlusX | 7231 | 5231 | 64T/80D |
| Kodak | Reversal | 7276 | n/a | 40T/50D |
| Kodak | Reversal | 7278 | n/a | 160D/200T |
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| SUPER 8 COLOUR | |||
| Manufacturer | Stock# | Sound | Silent |
| Kodak | KMA 594 | yes | no |
| Kodak | ELA 594 | yes | no |
| Kodak | KMA 464 | no | yes |
| Kodak | ELA 464 | no | yes |
| Kodak | EG 464 | no | yes |
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